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If we need to develop new theories to keep up with a rapidly changing Of images by means of binary coding, are thought to undermine the claimįor the truthfulness of photographic media The classical theories now Technologies, which allow for the almost total transformation and creation Cinema, JeanLuc Godard once remarked, is truth twenty-four times a second. Was in front of the camera at the moment the shutter clicked. In the main, classical theories of these media defined them by theirĪbility to automatically, even necessarily, provide a truthful image of what The advance in digital technologies of image production and manipulation has seriously challenged traditional views about photography andįilm. The movement is valuable only insofar as it brings increased meaning (itself an Given the fact that this movement toward the real can take a thousandĭifferent routes, the apologia for “realism” per se, strictly speaking, means nothing atĪll. Meaning, so much as it indicates a certain tendency toward the faithful rendering of

The word “realism” as it is commonly used does not have an absolute and clear The University of Chicago Press is collaborating with JSTOR to digitize, preserve and

For more information about JSTOR, please contact use of the JSTOR archive indicates your acceptance of the Terms & amp Conditions of Use, available at We use information technology and tools to increase productivity andįacilitate new forms of scholarship. Range of content in a trusted digital archive. JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide Published by: The University of Chicago Press Preview text Rethinking Bazin: Ontology and Realist Aesthetics